1 Melancholy / Serenade King Curtis 2 Seniorita Boo Bam /Neal Hefti Orchestra 3 Watermelon Man / Herbie Hancock 4 Pampero / The Ted Nord Sound 5 Brawling Broads / Roy Ayers 6 Lost In Space / Jerry Goldsmith 7 Ska / Jon Brion
Are you ready for this ? Rumbling saxophones, happy vibes, exotic rhythms. Enjoy an intoxicating taste of the Ultra Lounge.Dj Panos delivers the ultimate entertainment experience, taking your celebration to a desired level of excitement, having the knowledge and talent to read the crowd and play the right song at the right time.
1 Rumble / Link Wray 2 Time Turf / Giuliano Sorgini 3 Work It \/ The Cinematic Orchestra 4 Beat For Beatniks / John Barry 5 Sing Sing Sing / Benny Goodman 6 Late Night London / Syd Dale 7 The Boss / Mancini, Steiner, Gersheson & Garcia
The Crime Jazz Unit provides a Soundtrack to the wrong doings against society.
Along with the usual suspects of Crime Jazz, Exotica, Erotica and cool groove soundtrack you will also receive additional privileges such as:
- Tips on how to commit a perfect crime or how to get on in prison should things go screwy - The Texas Death Row weekly spotlight, highlighting last words and last meals - Stupid laws and or crimes - Excerpts from our favourite Crime authors - Death Row recipes - and much much more…
By following us here at the Crime Jazz Unit you will receive a new episode every two weeks as a reward for good behaviour.
"Being familiar with the background of this gentleman, there is no reason to be surprised by the perplexing windings his musical ways have taken. Could it be that the present release is just a natural manifestation of deep philosophical considerations that expose obvious correlations between New Music, improvised jazz and algorithmic composition?
"Lars from Mars" reveals a confident flair for the very particular nature of electronic music. Thru the use of archetypal quintessence, he manages to transport the listener to remote lateral branches of forgotten galaxies, as well as underwater colonies of unsettling life forms, inhabiting retro-futuristic spheres.
Early memories of acid techno - such as 808 State, Phuture and Mandroid - are evoked, as Lars comes up with selfprogrammed software weapons that generate a stunning variety to deceitfully straight sequences, far above any 16-step drummachine.
A strong dose of absurd humor is present here, in the playful patterns that hide between bone-dry beats and deep, melancholic bass-lines, echoing the New Music composition background of this gentleman from Mars.
A fine and exceptionally interesting debut by a bold musical universalist." Sven Hahne
"The Daddy-o Manifest-o If you believe the golden days of the space-age bachelor lifestyle peaked sometime in the early sixties, you, my friend, have found a haven on the net in Dig-it, Daddy-o. This blog is about the pop culture of the 1950s and 60s and the styles they inspire today. Although we will focus on that time period we could wander further back in time or write about subjects as late as the late 70s."
• The End - Stanley Wilson• End of the World - Ray Anthony• Tumpa (Earthquake) - Yma Sumac• Apocalypse - Reg Tilsley• You'll Never Get to Heaven - Cal Tjader• Knockin' on Heaven's Door - Strings for Pleasure• Reed Rapture - Pete Rugolo• The Earthquake Spell for Unwanted Lovers - Louise Huebner• Rapture - Eddie Cano• Your First Day in Heaven - The Statesmen• What a Wonderful World - The Johnny Mann Singers• In the Year 2525 - Ted Heath• Earthquake Main Title - John Williams• The Heavens - Walter Schumann• Gimme Shelter - Cal Tjader• There'll be No Tomorrow - Gold and Fizdale• Gentle Earthquake - Lalo Schifrin• Black Hole Sun - Steve Lawrence and Eydie Gormé• Eve of Destruction - Living Voices• The End of the World - Claudine Longet• Tsunami Surfing- The Surfaces
"We are always alert when cosmic alignments suggest themes for the show. Of late we have found ourselves enjoying that classic Gershon Kingsley tune, Popcorn, and in particular some moustache-twirling interpretations of said tune. We thought it therefore appropriate to devote this week's show to some of these extraordinary arrangements.
As well as all the hot buttery goodness of popcorn, we also have a couple of tracks from Italian library music supremo, Giampiero Boneschi, some Enoch Light, some Bruce Haack re-imagined by Brother Cleve and possibly the first example of chiptune on vinyl (or at least flexi-disc) from all the way back in 1983.
This show also sees the start of an occasional series whereby we drag our listeners one at a time into the Moonbase Experimental Lounge of Music (The M.E.L.M.) and subject them to various auditory and psychological tests. After which they are allowed to dedicate a track on the show to a loved one. This week sees the appearance of that much-loved long time listener, Squig.
MC Zirconium for his part tells us it is the largest of scaly animals, and it has the following nine characteristics. Its head is like a camels, its horns like a deer's, its eyes like a hare's, its ears like a bull's, its neck like an iguana's, its belly like a frog's, its scales like those of a carp, its paws like a tiger's, and its claws like an eagle's. It has nine times nine scales, it being the extreme of a lucky number."
